Silent play
Non-verbal play with as little as possible of dialogue
The performance was adapted from the Diary of Anne, a diary written by Anne Frank, a real person during World War II. It is a symbolic scene of the frustrating situation of the time when they lived in hide away from the Nazis, and expresses the inside of the characters in the form of a non-verbal.
It allows the audience to accept the situation as it is, rather than forcing the situation to become stereotyped by dialogue.
The performance will be newly reconstructed in the imagination of the audience, and will be the stage where lingering is left in the heart.

It is a formal play with the body and the object planned for the genre extension of the play. Dark Angel, a villain who came down to the ground and tried to tease humans, is a myth that he will realize the beauty of human life and return to heaven. But what I'++++++m going to tell you through this piece is about the struggles of his life and her life. Dark Angel, who was trying to grapple with people, found the truth of life and the beauty of human existence in it. The play talks about the pain and hurt of a modern man living in a material civilization, but it is seeking its own solution to the problem of overcoming it.

It is a omnibus telling about the life journeys of a pair of Kyeong sang-do couples, from 5 years to 37 years after marriage. The popular K-POP music from the 1990’s used in the music drama is filed with memories, which can draw the audience’s attention.

JUMP is gravity-defying, internationally acclaimed comic martial arts sensatin combines comedy, acrobatics and live- action based on Tea-kwon-do and other Asian martial arts. Seen and well-reviewed by over 6million people worldwide in more than 160 cities of 90 countries including West End in London, Broadway in New York, Edinburgh Fringe Festival (Sell-Out Show&Comedy Award winner) and 33 cities tour in China and so on. It’s a story of one very unusual family and all the mishaps and misadventures that ensue. JUMP has no language barrier and will have people of all ages on the edge of seat, rolling on the floor laughing and cheering for more!
JUMP performs every day at JUMP THEATRE locaed in Seoul neighboring sightseeing and shopping area : Myungdong, Gwanghwamun, Cheonggyecheon, Namsan, Namdaemun etc.

Three actors play modern masks and play roles. - Shante's story to be a good person

A play exploring the legacy of master Gong Ok-jin and her solo-performance Byeongsin chum in addition to traditional pansori
In the Spring Festival 1st Street Hyehwa-dong in 2014, Director Hansol Yoon and the greenpig theater collective presented The way of storytelling, the way of singing–demo version. The play explored the intersection between the traditional and the modern by reinterpreting pansori, a Korean traditional one-person vocal art form. The work was invited to the TPAM-Performing Arts Meeting in Yokohama and was staged at the Kanagawa Arts Theatre (KKAT) Middle Studio in 2016. In 2018, greenpig is back with a new work, The way of storytelling, the way of dancing–Byeongsin chum. It is greenpig’s second work where they reinterpret Changmu-kug, the Korean traditional dancing and singing solo-performance, from a new perspective, through a collaboration with Gong Ok-jin, a master of Byeongsin chum (meaning “dance of the cripple”).

Hansol Yoon (b. 1972) studied sociology and theater in Seoul and received his master‘s degree in theater direction from Columbia University in New York. Founded the theater collective greenpig in 2006, producing series of contemporary theatrical works dealing with such themes as immigration, contemporary history and modern Korean artists. Yun’s main works include Camino de Ansan (2015, general director), 1984 (2014), Reds – a Study on Rebirth (2013), The Brain Surgery (2012), I Am the Sex King (2011) and Step Memories – Return of the Oppressed (2010). Yoon and the greenpig theater collective presented The way of storytelling, the way of singing--demo version at the TPAM, Performing Arts Meeting in Yokohama, 2016. Step Memories: Return of the Oppressed was invited to SPIELART Festival in Munich, Germany in 2017. Hansol Yoon is currently a professor at Korea National University of Arts in South Korea.

It is a kind of experiment to find the missing son of Ashon.
'Sleepy Glass', a child who is eating the truth medicine, where is his bow What is the truth of the child who killed his wife Dia and lost her child?
Through this whole process of experimentation, we produce works to think about facts, truths, and false and false, hypocrites,
It is not yet possible that his scenario was filmed,
A mother and daughter who got married and got a son's bow
In daily life, they live everyday everyday.
The Greek drama "Dedicated to the Medea" I am living in Medea and Scenario with the speed at which the scripture is attracted to Medea. Dia, who is getting tired of all these lives, meets a man who is not her husband, and Asson becomes increasingly aware of the changes that happen to her.
Ason, who is mad at the Medea, sees the illusions in the house .......
The Medea's illusion and Greek statues that are only visible to this Ashon. Do they exist only in Ashon's mind? .....

HOTPOT is an annual dance platform co-hosted by City Contemporary Dance Festival(CCDF) in Hong Kong, Yokohama Dance Collection in Japan, and Seoul International Dance Festival(SIDance) in South Korea to make a solid foundation for intensive exchanges among East Asian countries. In November 2017, HOTPOT had its first initiation in Hong Kong and the second event will be held in Seoul, South Korea during the SIDance period in October 2018. Yokohama Dance Collection is preparing the third HOTPOT event in 2020. This year in Seoul, HOTPOT will also introduce additional pieces from the other regions of Asia including India, Vietnam, Taiwan, and so on. With its first successful initiation of the event last year, HOTPOT is positioning itself as the most representative dance platform in Asia where regional dancers can enhance their ability to step into the international stages and expand their opportunities for sustained and systematic global activities. Moving beyond the exchanges among three East Asian countries, HOTPOT will be a promising dance platform to promote active international exchanges with other regions in the world.

Léa Tirabasso <TOYS>
“A game for oblivion in illusion, the mad party begins”
There are ups and downs, haunting beats and folk rhythms, the bodies take all the music that is given to them in grazing, they only have this energy of rescue, the pleasure believed like buoy of survival, there is neither hell nor heaven nor escape possible. <TOYS> is the morning with a hangover. It is the game, the absolute, the disguise of tragedy behind the constant of celebration. Léa Tirabasso deftly fashions a window onto humanity, a tribe fundamentally ill at ease with itself. <TOYS> is absorbing and exhausting show to watch.

TanztheatreOnes <BeUNDO DoUNBE>
“A discourse of four dancers, exploring between latency and revelation”
TanztheatreOnes is a group of experienced choreographers, writers, musicians and visual artists and they are collaborating to realize their artistic ideas in a common frame. Its members are given as much freedom as required to realize their imagination and experiment with various multi-genre works. In this show, they research the two characteristics of body mobility - being and doing - phenomenon. It explores the state and change of movement that these two attributes repeatedly overlap and transition in the space. It also focuses on expressing the complexity by influencing and affecting the alteration of the tone according to the live performance.

<Ex.il> is a choreographic project resulting from a longstanding collaboration between Jesus Hidalgo and Eun hee Choi. Isang Yun and Pierre Boulez, the two Korean and French composers are emblematic of their time in their respective countries have exiled in Germany in the contemporary era for different reasons. The Korean culture expressed in Yun's writing is found in choreographic writing, largely inspired by rhythms and traditional sounds. It is full of great restraint of the gesture in solo, duo, with three or four dancers. Like a black hole in space, it is powered by with a great energy that leads to big explosions.

“Truth-seeker on the stage, Return by the grace of healing”
Sin Cha Hong, a best-selling author, vocalist, avant-garde dancer who exposed the presence of Korean modern dance in New York art scene. One day, she disappeared and went on her own spiritual journey. She was trained by some Indian teachers including Osho Rajneesh and one day, she woke up in the morning from the field and felt joy as if her whole body was reborn. This piece describes the journey of her spirit; the journey that she was reborn with joy and freedom after knowing the misperception of an image in the mirror as if it was her own reflection. The maestro artist Yonggu Park commented that “Korean Modern dance can be defined by the time of Korean traditional court dance, Seung-hee Choi, Sin Cha Hong.” In commemoration of the 45th anniversary of her debut, she will be on the stage in Seoul after a long while, and she meets her fans with more relaxed mind. Sin Cha Hong said that we need to put everything down and empty ourselves to see a new light.

<Who's Next> is a part of platform program among SIDance, which initiated since 2013 to introduce Korean dancers to the global market. Through this program, about 40 overseas projects have been made over the past five years. Domestic and international presenters, festival directors, and theater officials who come to visit SIDance will witness a relay of Korean dance arts by new and established choreographers with talent and artistry. This event will also serve as the selection process of choosing Korea’s representative performance for the third HOTPOT: East Asian Dance Platform, which will be held during Yokohama Dance Collection 2020 season. From the first HOTPOT in 2017, which invited about a hundred presenters from Europe and Asia, 5 Korean dance companies participated and received a warm applause and favorable reviews from presenters. About 11 invitations from 7 countries were made to Korean dancers over the period 2018-19.
To select the artists to represent Korea, SIDance will put out an open call application for 1st round of the selection process. Based on video and the applications, first group of initial candidates will be selected from the 1st round of the application process. They will then be judged based on their staged performances which is to take place as part of programs of the SIDance Festival.

<Who's Next Ⅰ>  Oct.8(Mon) 20:00
·Dance Troupe Braveman / Uninhabited Island
·Dance Project Tan Tanta Dan / A! man - Inside the Room
·Ryu and Friends / The other sound
·MODEUN COMPANY / GOLIATH IN THE WATER
·ParkGwanjeong / Levee

<Who's Next Ⅱ>  Oct.10(Wed) 20:00
·DANDANs Artgroup / BOTTARI : Movement 3
·LEE K. DANCE / TWO
·leedongha dance project / guernica again
·Jung Logyee / Time Killer
·Choi x Kang project / Complement

It is a movie about a small being (human) that is weak and unable to resist in front of nature.

RISING Choreographers, hosted by ChangMu Academy, which has been continuously working hard for the Korean traditional dance, is a program that select rising choreographer for the development of Korean creative dance and discover their outstanding work of art. Especially in 2018 10/7~10/18, this project was chosen as a participant in the Seoul Art Market 'PAMS link', tried to give an opportunity to participate overseas project.
It will be held at the Post Theater which represents Korea as a dance theater and it will deliver a lot of stories which are related with social issues and inner agony with a fresh and sensible way.

<Three Bolero>, a big hit from the 2017 season, returns with an upgrade in 2018!
In KIM Boram’s Bolero, encounter thoroughly disassembled music, with its rhythms and tones rearranged into ‘KIM Boram Style’. In Bolero by KIM Seoljin, find Bolero which abandons music altogether and explores the sounds of daily life. And in KIM Yonggeol’s Bolero meet the model Bolero with its imposing scale and impressive group dance. Come and treat your eyes and ears once again to this grand collection of Boleros by three choreographers in three different colors. With this year’s upgrade, KIM Yonggeol's newly reworked Bolero will be accompanied by the Gwangju City Ballet led by the artistic director CHOI Taiji.

* Only for international presenter

Dance theatre <A woman talking alone>,it is a dancing work to look into a woman's private speech that a Korean representative dancer and choreographer Hwang Mi-suk who has lived for 40 years in her life has lived firmly for years with director Son Sang hee.
It is a monologue with a body that calls out a loud sound that sounds in the small whispers of its own that have pretended not to know. A self-talk that comes out of the tremor of life, It is the moment I look at me.
The time of self - talk facing aging and life as a woman is translated into a monologue of the body by whisper by a mature dancer.

People generally think the tango is a passionate and heavy dance.
This project started from the thinking that tango would be able to embody the sweet and bitter life story diversely as meeting the Korean music.
Project ‘Sweet Tango’ was intended to make the Argentinian passionate tango meet the Korean traditional instrument and music to be reborn as the sweet and varied tango music. It embodied the joyful and interesting music. ‘Gena Tango’ embodied the characteristic of Korean traditional music and the tango’s characteristic in Edinburgh where the art of various traits from all around the world unfolds, and introduced a new direction of culture creation in the global era.
It was an official invitation from the ‘Korea Cultural Center in London’, an official invitation to the ‘Edinburgh Fringe Festival’, and was selected as a "Pick of the Pringe" and featured live radio performance by ‘BBC‘.

‘Music in an Asian key brings tale to life, while fascinating array of instruments invite us to tango’ THE SCOTSMAN

‘The incorporation of the haegeum and especially the ajaeng, alongside the Korean flute, bandoneon, keyboard, bass guitar and percussion, gives Gena Tango’s fusion of tango with their native sounds, as it’s best, real power and character.’ The Herald Scotland

The new paradigm of korea traditional music
-a Modeumbuk concerto/Storm
-a modern dance concerto/Blue heart
-a Samulnori concerto/Sinmodeum

The Pink Blossom party is based on Korean traditional music and is designed by wHOOL who creates new music that can be enjoyed by both the young and old to make new cultural performances in which the audience actively participates. It is a feastful forum to showcase the Korean culture to the world through the fusion of culture. It is a newly formed performance that revives the culture of the feast of Korea that all the towns meet and play together in a modernized traditional culture suitable for today. The modernization of traditional music has made it easier for the public to feel, and the audience will feel that Korean traditional music is an excellent music that can be appreciated throughout the world.
One of the points of appreciation is to enjoy the true harmony of Korean traditional musical instruments and vocals as well as the sounds of modern digital instruments along with traditional instruments such as Janggu, Ggangari, Buk, Drum, Piri and Taepyeongso.
It will be a priceless time to experience the newness that Korean traditional music is created as world music through wHOOL's adventure and challenge.

“Taste: Intoxicated with Sound”of 2018 Sorigae Korea Traditional Music Orchestra, subtitled as K-Sound Concert, features highlight repertoires that have been most popular so far in the Sorigae performances inside and outside the country.

Sorigae will make greater efforts to introduce Korean Music to the world music market. Sorigae has been adopting various experimental approaches to extend the scope and to build up the identity of Korean Music.

Sorigae endeavors to convey the deep waves that echo through the audience’s souls and therefore make the communication channel.

Sorigae is going to present the stage of “Harmony” that breaks down the boundaries, the stage of sound“Vibration”that is perceived by the five senses, and the stage of “Exception”that exceeds conventional perceptions.

Mozart's opera "Le Noze di Figaro" was reinterpreted to change the 18th century's European identity system to feudalism and reproduce it in the form of a traditional satire, a Madang Nori, which is performed in the yard.
In addition to the comical houses and walls that distorted the form as in the folk paintings of the Joseon Dynasty, the subtitles of humorous expressions that help understand the original Korean language play are arranged as an element of the stage device. The subtitle reminiscent of the Korean traditional polar music, Pansori (an editorial that weaves together without interrupting the middle of a Pansori Pane), plays a central role in presenting and reinforcing the background and theme of the play.
It was selected as a project to support the resident group in the Seoul Culture Foundation in 2018. The concept of the theater opened to anyone who is the basic spirit of Madang Nori. It means that the limited cultural background of the original opera is shared more closely with all of us living here today.

Number of performers: 10 actors (vocals), 6 instruments (composition of chamber music including piano)

Synopsis: The Count uses his divine authority to impose a secret love on his servants. Susanna and Figaro, the servants, use various tricks with Countess to punish him for his hypocritical and arrogant behavior and receive sincere apologies.

Kang Tae Hwan Trio represents the history of Korean free improvisation. For more than four decades, saxophonist Kang has established himself as an original master of free jazz with unprecedented musicianship and techniques of expression in the world. The pianist Miyeon and percussionist Park Jechun started to perform with Kang as a trio since 2002, and they had already completed a successful alternative of Korean new music with innovative chemistry of jazz, contemporary classical and Korean traditional music.
The trio truly covers all musical languages and beauty that human has created. Though they perform the whole concert in totally free improvising, we always face an outstanding organization of music and incredible narrative of imagination without a bit of unnecessary moment.

Energy created by the combination of text and dance.

In this piece, which is started from a question ‘can dance go beyond the limit of language?’, a performer will make movements based on text narration instead of music.

By going beyond the dictionary definition of each word, the performer will create hieroglyphics/pictograph using her body and establish moments when both text and dance get free.

Selected as ‘Seed for Young Artist’ and ‘Art Seoul Give Together’, it will be premiered to audiences in upcoming October.

The Journey is about record of moments which is disappeared in every moments.
It could be traditional culture , history and social issues but it is also closely connected to the present, Now. The conversation between Piri which is a Koreantraditional instrument and cello, video art is about Continuity and Extinction.

A Show for ONLY LADIES!
A Special Party for ONLY LADIES, Mr. SHOW Reveal your hidden desire!
It is the Sexiest show which reflects your fantasy
Be Honest and be yourself!
Kolleen Park and Korean TOP Creatives invite you to Unique Performance!
Created by a symbol of challenge, Kollen Park.
The hottest actors who won the harsh competition on stage!
Korean TOP designers and artists present provocative dance and performances.
While you are listening to MC’s waggist talk, you can’t help yourself falling in love with MR.SHOW!

Impulse is a performance that fully incorporates the Momggol’s artistic languages-objet and body movement. Momggol takes notice of the ceaseless movement of a hemisphere like a roly poly as well as the motility of a ladder, focusing on their physical properties and movements with action and reaction. The hemisphere keeps moving through exchanges of energy with people standing on it. The balance and tension that come out of the movements of the body and the ladder/hemisphere is the focus of the audience attention. The life holding out only through ceaseless rocking to which unswerving body movements are attuned is shown.

* Performance-type performance that enables all audiences to communicate and share
Through nonverbal performances and storytelling, which can be shared by anyone and minimize language barriers, the performance seeks both popularity and cinematography regardless of the audience's characteristics.

* Performed with a modern sense of traditional art and value throughout the generation
A full-scale performance that embraces the past and present through modern interpretations of Korean traditional musical instruments, such as money, aveng, Gayageum, and pansori, and various genres such as Western music and dance.

* A family play that highlights a pleasant episode and an ensemble
In the story of a left-wing idol between a string family and a percussion family, each member of the family performs a comic performance, and you can enjoy the show not only the whole family but also the whole family, friends and lovers.

* Pleasant performance with audience
It adds to the sense of immersion and fun of the performance through a recreation program, and provides a venue for communication between actors, audiences, and audiences, and audiences through performances.

<Let’s take a bath> discusses on female body. The book is based on interviews of women of various age groups and careers, and the show combines the form of ‘Jindo Ssitkkimgut‘ and bathing.

As a woman, I throw the question “How are we living?”
There is a saying that something personal is something social. How about we take a look into the history of our bodies and our time through personal stories of various women? One’s body carries its history. We study ourselves through observing our bodies. Instead of projecting a female figure forced by the society, I question the audience through an act of showing one’s individual beauty.

Through <Let’s take a bath>, I wish to take a deep look into myself and affirm the woman in me as she is while throwing a question on life.

The King of Illiterates:
The Story of King Sejong’s Creation of Hunminjeongeum (Hangul)
The Main Gugak Opera Performance of the National Gugak Center
Back after Six Years, Marking the 600th Anniversary of King Sejong’s Reign
Revel in the story of how Hangeul was created by King Sejong the Great, lifting the illiterate common folk out of ignorance.

Folk songs point the way!
Sejong pondered long and hard on how to design the new characters. Struggling with his own failing eyesight, he came to realize that the writing of the people should come from their songs.
King Sejong sought out the best folk singers in the fields and the streets, gaining inspiration for the new letter system from the folk songs they sang to him.